Alter artisanal techniques, exchange the role of the artist and those of the craftsman, write fake books (pastiche), move concepts from one medium to another, use a tool on an apparently inappropriate medium or in an inappropriate way, distribute free ideas to talk about intellectual property, replace words in sentence with invented ideograms, draw cartographies by enlarging the scale.
I have been trying to rethink, through my work, the place and the status of notions related to art and culture. To achieve this, alteration (re-appropriation, “detournement”) is a simple way to question and solicit those who are doing, those who are participating or those who are watching.